This week on Polyphonic Press, the random album generator serves up a jazz-rock masterpiece: Steely Dan’s 1977 magnum opus, Aja. Widely considered the artistic peak of Donald Fagen and Walter Becker's studio perfectionism, we dive into its pristine production, complex chord changes, and the revolving door of nearly 40 legendary session musicians brought in to execute their singular vision.
But does this famously slick, audiophile-approved record have enough soul to hold up as one of the greatest albums of all time?
Jeremy finds himself captivated by the sheer level of musicianship, noting how the band manages to craft seven-minute songs like “Deacon Blues” and “Aja” that never feel boring or dragged out. He appreciates that despite the meticulous, pre-Pro Tools editing, the record still feels incredibly organic, praising Becker and Fagen for keeping spontaneous mistakes—like an accidental drum rim click—because they recognized the magic of a great performance.
Jon acknowledges that while Countdown to Ecstasy might be his personal favorite, Aja is an undeniable masterpiece. He dispels the idea that the album is pretentious, arguing that Becker and Fagen's ruthless perfectionism was completely justified by the brilliant, timeless results they achieved. To Jon, the fact that an album pieced together with a totally different band on every track can sound this cohesive is a testament to their genius.
5 Deep-Dive Facts About Aja:
- The “Peg” Guitar Solo Gauntlet: The iconic guitar solo on “Peg” was born from a brutal process of elimination. Fagen and Becker rejected solos from six or seven elite studio guitarists (including Robben Ford) before Jay Graydon worked for hours to lay down a heavily engineered solo that somehow sounded perfectly improvised.
- The Mystery Tonight Show Saxophonist: The sultry tenor sax solo on “Deacon Blues” was played by Pete Christlieb. The band had no idea who he was—they simply heard him playing in the background band on Johnny Carson's Tonight Show and demanded their producer track him down.
- Steve Gadd's One-Take Masterpiece: Legendary session drummer Steve Gadd sight-read the intricate chart for the eight-minute title track and nailed the blistering solo in a single take. They even left in a mistake at the 4:57 mark where Gadd accidentally hit a drum rim because it fit the chaotic groove so perfectly.
- Six Drummers for Seven Songs: To capture the precise rhythmic feel for every individual composition, the band used a revolving door of nearly 40 session musicians, including six different drummers. Bernard Purdie, for instance, brought his famous “Purdie Shuffle” to the track “Home at Last” after telling the band a standard shuffle wouldn't do it justice.
- The Guessed Album Title: Donald Fagen named the album after a South Korean woman who married his high school acquaintance's brother. He loved the romantic sound of the name, but later admitted he completely guessed at the spelling (“Aja”), having no idea how she actually wrote it.
Host Highlights:
- Jon's Picks: Josie, Peg, Home at Last
- Jeremy's Picks: Home at Last, Peg, Josie (A rare unanimous vote!)
Did we get it right? What are your favorite tracks from Aja? Let us know on the contact page at polyphonicpress.com, and if you want to support the show and vote on which album we review next, head over to patreon.com/polyphonicpress.